Everyone who doesn"t like Assassin"s Creed Odyssey hasn't played with Cassandra as the Protagonist.
Showing posts with label Paradise Lost. Show all posts
Showing posts with label Paradise Lost. Show all posts

Wednesday, 9 August 2017

Paradise Lost Book 2: Infernal Affairs


Hahaha.
Before we start, let me first apologize for the ludicrous title. It works of course, aptly, on several levels, but it still makes me smile when I see it. It's such a stupid exploitative bit of silliness. But never mind about that; read on, Macduff!

Part 1: The Infernal Council

Satan is chosen to be the leader of the fallen host and sits on his throne in Pandemonium where he asks for guidance on what to do next.
Moloch, an angel described by himself to be as fierce and as strong as the Creator himself, proposes a blind resuming of open war. Belial speaks next, advising against it, either openly or covertly, and instead advises an acceptance of their current state.
Against both speaks Mammon, and Hell hears and positively responds to, his empassioned plea for the enlightened path for the renouncing of war with Heaven. But neither does his vengeful thought speak of peace. He instead speaks of independence from their erstwhile home, of raising themselves up, and he pleads for an empowered hell, away from the sight, power and dominion of the Thunderer.
But it is for nought as next, Beelzebub rises.
The second of Hell states then, that the Almighty would never allow for any glory for any the fallen and instead points to yet another option. He speaks of an ancient prophecy that tells of the creation of a new realm and of a new race in it, more favoured by the Highest and how delicious it would be if they could corrupt said race. It is a revenge swiftly concluded the most desirable to all and soon an agent is sought, to seek out this new earth.
While all gaze doubtful round to see the uncertainty reflected in each other's faces, Satan steps forward, and with his volunteering, cements his position as rightful ruler of hell.

Part 2: The Journey of the Morningstar

With the Council's end, Milton adresses us and asks us to take note of the contrast between the denizens of Hell, unified and united in single purpose behind their ruler, and the current race of man, at war with everything under the sun and most of all, at war with himself.

While the Fallen Angels range far and wide, exploring the limits of their dungeon, their leader journeys towards Hell's gate. Once he arrives he meets the two guardians. One is a shape of blackness, powerful and terrible and seemingly unformed. The other is a woman with the lower half of a serpent.
Her name is Sin and of her he learns that together they have sired the dark creature, named Death.
Satan manages to convince both to let him pass by promising them an answer to their respective hungers, and then continues on into the most perilous part of his journey.

His journey through the changing elements of the realm of Chaos is an arduous one but after a period of time he hears a multitudinous and stunning sound. Following it to its origin he finds Chaos on his throne alongside eldest Night.
To them he slyly starts suggesting and circumspecting, but soon leaves that by the wayside and just ends up boldly stating that he is on a quest to ruin the Creator's newest creation and to bring the newly born realm back into the fold of Chaos and old Night, to their betterment and his need for vengeance.
Chaos agrees and sends him in the direction of his goal.
Within sight of it he also sees Heaven that is tied to it with golden chain and beholding his once native seat, he is reminded in his lonely being that he is damned.

Interesting bits

Ironic Lucifer

Satan is chosen for his merit to be the leader of the fallen angels, but he himself gives another reason for his easy acceptance as leader. namely, that the one who sits astride the throne of hell will be the one who will bear the brunt of Heaven's ire when it is suitably provoked. Some dark ironic humour from the Morningstar.

A Heaven Divided

Lucifer claims that there are factions in Heaven because Heaven's ruler is in a position to be envied. But that, as in Hell there is no hope or aspiration for self-improvement of any kind there can actually be no factions. Nobody would want to be first among the fallen either because there are no benefits and only downsides to it.

The arguments of the defeated

The various arguments of the demons echoe various responses of a defeated enemy.
Moloch  argues for a blind rearing up, revenge, a recontinuing of a hopeless war, regardless of consequences.
Belial for acceptance of defeat and ensuing stasis leading up into complete inertia. Like a shock victim.
Mammon, counsels both against peace and war and proposes a different course of action, In fact he speaks for a rather enlightened path.
Satan, via Beelzebub, counsels revenge via subterfuge because strength will not do the task.

Moloch, the proponent of open war speaks with very beautiful rhethoric of flame and smoke. He also reasons that in the event of recontinuing their open war, and in the subsequent event of their re-defeat they would either "be quite abolished and expire." and that that would be preferable to being in hell. Which suggests that any end to the immortal angels would lead to something further; their oblivion.
Or, he asks the question, if they are indeed divine and would be unable to die they could keep resuming their war, despite being slapped down again and again. Which summons up the truly horrifying image of an immortal, unkillable fly, seeking out oneself time and time again in order to buzz irritatingly loud around the room.
It is an interesting paragraph as it implies that the fallen angels don't know themselves if they are immortal or not.

Belial counsels against war and peace and for inertia, reasoning that their present circumstance, dreadful though it is, could be made worse by the wrath of Heaven, and Instead counsels waiting, in the hopes of eventual redemption through atonement for their rebellion, or for random chance to alter their circumstance.

The arguments of the defeated; Mammon's proposal

Mammon's arguments strike an amazingly postive tone and above all one that is unrepentant and isn't reliant on God and this in itself is a breathtaking little sequence. He argues both against open war, and against peace. What he proposes then is in fact a different form of warfare. He proposes that like children cast out from their elderly home, they will build their own house and their own means to exist and from there vie with Heaven for glory, like children trying to outdo their parents. It's an extremely commendable outlook and proposition.

But of course Satan has his own plan already and despite the appearance of a fair council he has in fact already decided on the next course of action. Remember, he did already mention the prophecy in book one in his first conversation with Beelzebub, and it is via Beelzebub that he ruthlessly crushes Mammon's idea into dust by that one's harsh oratory.
It makes you wonder what could have been. Because we only have Satan, via Beelzebub's word for it; that God the Thunderer would cast the fame and glory of a rising, prosperous and dare we say, benevolent empire of Hell right back into shadow, that he would not allow  it. We only have his word for it, and he is, after all, the Prince of Lies. It's what makes the Mammon section so tragic.

But then again... These points are moot as the outcome is already known. Ah fiction, how you taunt and tease me!

The Sphere of Hell

When Satan cast himself up as the likeliest candidate to undertake the perilous journey out of Hell, he describes Hell as being a huge convex of fire, enclosing them nine-fold. He speaks of a gate of burning adamantium barring their way and beyond which lies the void of space.
When Satan arrives at the gate we see that gate in question is composed out of 9 gates "three folds of bronze, three of iron and three of adamantium" and impaled with circling fire, of which I'm not really sure what that means, but it sure sounds cool.

When the Angels travel across the realm of Hell, with the hope of finding the place more livable when first thought, while their leader is still travelling to the gate, we see that they find that Hell is composed of extremes. One half of burning fire, the other of burning cold.
They also speak of the 4 rivers leading away from the lake of fire. Styx, the river of hate.
Acheron, of sorrow. Cocytus, of lamentation. And most interestingly, the Lethe; the river of oblivion, the river that will make whosoever drinks of it forget their woes and their joys; a possible source of surcease for the blighted denizens of Hell. But it is guarded by all manner of creatures, from Medusa's womb, to keep the desperate denizens of Hell at bay.

Despite Hell being composed mainly of two extremes, there are vales, mountains, rocks caves, lakes, fens bogs, dens and shades of death. Quoted verbatim.

Lucifer Revered

As a small observation; It's quite thrilling to see how much the denizens of Hell rely and respect and maybe even love their chief.

He himself must have been taken aback when realising this, because right before that moment he was already scheming with an eye towards eliminating competition for the rule of hell.
It's these moments that really make this book stand out. There's alot of unforeseen subtlety to the character of Lucifer so far.

Panacea in Distraction

Milton speaks of Angels that think on their fates and that in their ruminations the possibility of their temporary forgetting of their pain and sorrow.
In particular the angels contemplate the inherent paradox of free will and divine prophecy with this line;

Of providence, foreknowledge, will, and fate.
Fixed fate, free will, foreknowledge absolute.


Dalliance With the Devil

"And such joy thou took'st with me in secret that my womb conceived a growing burden."

Oh really? Apparently, in Heaven angels have sex-drive. Obviously then they're not sex-less.
Milton had earlier already mentioned the concept of free will before the actual introduction of humanity, which suggests that the angels at that time also had been gifted with free will. Hence leading to this 'dalliance'. Come to think of it, without free will Lucifer could never even have revolted. So what am I actually saying here? I don't know. Doesn't matter. Continuing on.

The woman with half of a serpent was originally born in heaven, at the time of Satan's conspiracy against God. She literally burst, fully formed and fully armed from the left side of Satan's head.
Which begs some questions regarding the origins of angels. Regardless, she is called Sin.

Satan, as quite the narcisist, recognizing his own perfect image in her, immediately desires her and consequently adds incest to his repertoire of sin (but is it though? It's more than a little odd a situation, just like this sentence), and in due course, unbeknownst to him, pregnancy follows. Later they recall their time together as pleasant.

The Son

Pregnant, when the revolution fails, the she-angel is cast down alongside all the rest, but unlike all the rest she is specifically singled out and given a key by givers unknown; the key to the gate of Hell.
In Hell she gives birth to a monster and that monster tears open her lower half, presumably giving her the appearance of a serpent. She names him Death and recognizing lust and hate in its eyes she becomes terrified and flees. But it follows her and rapes her and she then gives birth to more monsters. Who daily crawl in and out of her womb, baying relentlessly, while gorging themselves on her entrails. Like insane little chihuahuas. How perfectly horrible.

She warns satan of the arrow carried by it, because it is capable of killing everything, except God.

Later both are said to follow Satan on a bridge over the realm of Chaos. An allegory for the coming of death to the world of man after his succumbing to sin.
This bridge will later be used by demons to torment the race of man. Except whom God and good angels guard by special grace.

That sentence straight-up managed to raise my hackles. Thanks Milton.

The Gate to Chaos opened

This is a short little segment that starts with the angel, Sin, throwing open the adamantine gates that hereafter can not be closed again and then Satan steps forward to look upon the void. We then get impressions of what he sees. This part contains a whole heap of abstract but fascinating descriptions. Again the primordial themes come into play, giving maximum imaginative jolt for a minimum of vague imagery.

Also, the eternal anarchy of Chaos (quoted verbatim) reminded me of the Warhammer worlds-workings of the realm of Chaos, in particular the referencing of the four different elements. In Warhammer you have Khorne, Tzeentch, Slaanesh and Nurgle. Rage/Bloodlust, Knowledge/Change, Lust/Pain and Entropy/Disease respectively.
Here, in Paradise Lost, we have Hot, Cold, Moist, Dry forever gathered beneath their differing champions under their own banners, with their different clans. Elements at continous war with eachother is very suggestive of warring tribes which only helps to heighten the feeling of similarities.
Likely it was one of the earliest inspirations for Moorcock's visions and ideas of the systems of Chaos and Law, which is after all the direct inspiration for the creation for the force of Chaos in the Warhammer universes.

Satan in the realm of Chaos/ On the nature of Chaos

In the realm of Chaos, Chaos rules supreme and enthroned by his side sits eldest Night.
Around him are Orcus and Hades and the dreaded name of the Demogorgon...


Heh, a dangerous loss of professionalism there but I just couldn't resist. Not as if the standards have been exactingly high up until now, but at least I'm having fun.

With these are also Rumour, Confusion and Discord.
Chaos and Night are more genuine characters while Orcus and Hades are here more to to evoke imagery of the mythological Underworlds, while the latter three names invoke cacophanous noise.
Regardless, I'm getting shades of Dunsany. Allegory, son!

In the realm of Chaos there is noise loud and ruinous. Which is another higly suggestive word in this context.

The fabric of the realm is not air, not water, not earth, not fire, but all of these combined, warring without end. Unless the almighty maker designates them His dark materials for the creation of new worlds. An unstable melting pot of raw materials for purposes of divine creation.

...which thus must ever fight,
unless the Almighty Maker them ordain
 his dark Materials to create more worlds...

This reminds me I should really go and read Pullman's trilogy one of these days.


Milton's foreshadowing

(such was the will of Heaven)

And here we have it; the justifying of the ways of God to men. Thus it begins.
Milton with this sentence states that it was God's will all along that Satan made his way to Earth.

But now at last the sacred influence
of light appears...

In book three we will see some of this from God's perspective when he at last enters the telling.

Badass quotes

-Long is the way, and hard, that out of hell leads up into light.-

-A universe of death, which God by curse
Created Evil, for evil only good;

Where all life dies, death lives,-

-This dark and dismal house of pain-

-With lonely steps to tread-

-Go, and speed.
Havoc, and spoil, and ruin are my gain.-


-With ruin upon ruin, rout on rout,
Confusion worse confounded.-


-Accursed and in a cursed hour,
He hies.-





Saturday, 5 August 2017

Paradise Lost: Book 1 Arrival in Hell



Part 1 The Fall from Grace

After the invocation of the muse, the text moves on to Satan, who has been lying on a lake of roiling fire, together with all the other fallen angels. He recalls, in abstract terms; this is a poem after all, the failed rebellion and the casting down of the rebellious host out of heaven. For 9 days he and the others lie there, immortal but still able to feel pain, unable to die, in tempests and whirlwinds of fire, at the bottom of an abyss, designated chaos.
Then the Morningstar lifts up his head and recognizing beside him, the second highest of the fallen after him, he calls out to him and responding to that one's despondency in the light of their complete failure and fall, he proposes a new ideology. one that is firmly and squarely opposed to God and that one's whims and designs.

Part 2 The Birth of Pandemonium

Satan rises and then calls out to the as yet unmoving host of the fallen angels and shames them into rising from their stupor, and from their bed of fire. A rollcall ensues, with a caveat that though most of these fallen have as yet no names, they will earn their names in due time, in the ages yet to come.
The Host then proceeds to build a city out of a sulphur-spewing mountain, and Pandemonium is born.
A blaring of horns then announces a gathering of council for the worthiest among the multitudes.


Interesting Bits

Thoughts on Description


I mentioned at the start that the descriptions are abstract, but in reality the setting is so primordial that It could simply not be described other than this. A summoning up of hellish imagery with fire and smoke, with an emphasis on light and dark. Archetypes that define the world and the characters in them. This is, and should be, after all, the text that comes before all others. An allegory for a growing imbalance in chaos. An imbalance that pushes that chaos aside and in its stead places Order supreme. Composed of Good and Evil. Light and Dark. God and the Devil.

I love the lyricism and the awesome and terrifying images it demands the reader creates. Reading it out loud, which is really the way these types of things should be read makes it seem like a litany, an invocation that summons up awe and horror.

The Devil and the Details

As a reader who always reads with a sympathetic view towards characters, someone who needs his villains to be well constructed and explained. I must say, Satan obviously comes out very reasonable and understandable in this. Prideful and arrogant, sure. But not even close to the despondant being, who as he was just cast down out of a paradise, he really ought to be. Though, like the other fallen, he exists for a while in a state of shock, he is the first to rally himself, and soon after, is the one to also rally the others, through guile and confidence. the host looks to him for surety, and he in turns provides it. It is courageaous and determined. He rises with the immediate idea to oppose himself completely to God and his creation.


Clad in War

Every angel is a warrior, all have weapons and are clad in armour.

God is frequently described as having 'thundered'. Satan himself is scarred by it and, though still magnificent, his light is dimmed. It's something that is present in some of the other books as well.

The Devils, named

One of the more surprising things was that when Satan shames the fallen angels and calls on them to arise, a host of recognizable names start to present themselves; most of them demonic entities and false gods that are referenced in the bible, but also some others from main religions, and references to the Greek and Roman Pantheons.
Other recognizables are Belial, Azazel (who you might know from the badass Denzel Washington movie; Fallen, If you haven't; go watch it, old but very moody and cool) and Dagon. which might have been the biggest surprise. I always thought that Dagon sprung forth out of Lovecraft's imagination but apparently he's been around a while already.


Bad-Ass Quotes

-Is this the region, this the soil, the clime?
This the seat that we must exchange for Heaven?
This mournful gloom for that celestial light?-

-Furthest from Him is best-

-Hail Horrors, Hail Infernal World!-

-The mind is its own place, and in itself, can make a heaven of hell, a hell of heaven.-

-Better to reign in Hell than serve in Heaven.-



My edition of Paradise Lost

Here are some pictures of the Arcturus Publishing's edition of Paradise Lost.
It states that it is the complete and unabridged version, which I'm assuming means that this is the revised edition by John Milton himself collecting the poem in 12 books rather than the initial 10.
It also collects all of Gustave Doré's 50 engravings for the poem.
And besides a short introduction, by I know not who, maybe Milton himself (details are sketchy), are also included the short summaries at the start of each book (again, likely by Milton himself).

The book is clothbound and comes in its own slipcase.

Cover design is by Alex Ingr and Beatriz Waller
Book design by Alex Ingr

I'm not sure if that includes the slipcase or not.
Lovely work, regardless.













Friday, 4 August 2017

Introduction to reading Paradise Lost


Long is the way, and hard that out of Hell leads up to light

What should be obvious by now is that the quote I used at the start of the Road of Faith posts is lifted verbatim from Paradise Lost, book 1 to be more specific.
In the Road of Faith post 2 I talked about finding meaning through fiction. If not meaning, then at least distraction from what is a truly banal existence.
But hey! Happy thoughts! Back on track!

I'm planning to dip in and out of the poem and don't have an end-date for finishing it yet.

-----

John Milton's Paradise Lost is an epic poem, comprised out of 12 books that are centered on what is mostly, a retelling of some parts of the Bible's Genesis chapter. It also deals with the aftermath of the war in Heaven between God's angelic legions and the one third of the Heavenly Host that follows the Morningstar into perdition. The ensuing formation of a demonic hell and its capital of Pandemonium. And the seduction of mankind into its first disobedience, by the devil, at the heart of the garden of Eden and how this was brought about.

Milton's views were staunchly anti-monarchical and reading the poem with that in mind it is obvious that it is what inspired parts of it; Satan as the revolutionist to God's tyrant monarch.
But you know, while I don't give a shit about our own royal house of bloodsuckers either, in this day and age they are powerless and harmless enough to consider them unworthy of my time and indeed even my opinions. So I will just leave any political aspects to the poem restrained to this here small acknowledgment and reference it from this point on no further.

I'm of course here for the religious aspects; the mythology, and to see how it would clash and contradict or indeed work alongside with any earlier obtained knowledge from my early years of devout Bible reading.

Paradise Lost is a book that has been a long time on my radar. For various reasons I never actually picked it up; primarily the one that meant I would actually have to read a 10 or 12-book epic poem; and who the hell has time for that these days? and that because, as it really is a fiction, its claims of 'Justifying the ways of God to men' struck me as highly pedantic, arrogant and idiotically self-satisfied.

It's odd that I never did though, because despite my misgivings and qualms, it still is, of course, the mother of all the mythological stories that has a sympathetic Lucifer at its heart. Arguably one of the earliest out-and-out anti-hero stories ever put down on paper.
But with a potential tv-adaptation of the poem in the early stages of development, by Martin Freeman I might add, I figured I should really read the source text now, before all the hipsters think it's a cool thing to go and do, and my eyeballs start to drop out my sockets out of utter eye-rolling contempt.
Does that make me a hipster too? No, it doesn't. Shut up.

The start of book 1 begins with an invoking of the muse, in what is a poet's tradition.
Probably here, in my obviously biased and evil opinion, as a means of disguising what is really at the heart of Milton's epic: A dangerous subversion, an alignment on the side of the Devil. But because Milton calls on the muse; to give divine inspiration to the tale, the responsibility for some of its more controversial elements can be directly assigned to the outside influence that governs the muse; God. If you follow this conceit, then Paradise Lost becomes a true look at the other side of the veil; it is the tale of the Devil.

With Paradise Lost then there's an obvious focus on the side of the fallen.
And honestly, it is why I am here. I've always been attracted to the dark stuff and having been raised in a Christian home, reading my Bible alot, dark means the devil and it always bothered me that there was so little in there about him.
He only really comes into focus whenever he has to be the primary antagonist and the source of all evil: In the garden itself, or when he tries to seduce Jesus in the desert.

*Small rambling sidenote.*

The source of all evil;
I personally think it is preposterous to proclaim this; that we would actually need an outside force of evil. Man is awful and selfish enough in and of itself to not need a dark passenger, whispering seductions and hate in his ear. This is not a new idea.

But then also, as Liggotti states in his Conspiracy Against the Human Race. Human consciousness is a tragic misstep in evolution.
And while doing my three stories of awakening consciousness post I was struck by an odd thought recently, It seems the Bible has a tale for it; the arising of consciousness resulting from the eating of the fruit from the tree of knowledge.
It's an interesting little idea: the devil as an allegory for cerebral evolution.

*Small rambling sidenote end.*

As such, a book, centrally about the devil, and his, arguably, greatest achievement; the seduction of Eve in the garden of Eden and the ensuing fall of man into sin, with hints to the rift between God and his once second highest angel, a war in heaven. a conflict on the most magnificent and grand scale imaginable; something that casts such a dramatic and far-reaching shadow; a myth to explain the insane levels of horror and depravity that we dwell in these days, is nigh on irresistable.

I would have ended up here eventually.

Plainly stated. Because and despite of my upbringing; I love dark mythology.


Going Forward.

I struggled a while with how to approach this project.
What I'll certainly not even pretend to do is give an actual review of Paradise Lost as that kind of hubris would just be silly, I imagine everything has already been said at any rate.
Hmm, I guess I'll have to see though.

Mostly I'm just committed to do a blogpost for each of the 12 individual books in the poem in order to force myself to continue reading it with attention to detail rather than hurrying along and getting it done, or worse, just abandoning it altogether.
Above all, this must be for fun.

Right now I'm fixed on doing a short recap of each book in my own words, which is primarily for those among you who might be interested in the story but who wouldn't actually want to read such a large poem. I have also already made comparisons to my own views of religion in the overly long and overly revealing personal Road of Faith posts so I should think, the main stuff is out of the way by now, and doesn't have to be touched upon again. But we'll see if the need should ever arise during the reading.

I'll start out every post with some of my cloud pictures as the symbolism inherent should be obvious but mostly because pictures of the same book's cover over and over are a little boring.
I'll call out interesting bits but really, I think the recap, told in my own words, is the most important thing to me.
Ooh, Ooh. I'll also do a Badass quotes section. How did I not think of that before? The text suits itself marvelously for it.

Now, enough dallying.

Onwards, to Hell.